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Are any BTZS'ers using unsharp masks to print any or all of their negatives? I know that Howard Bond is an enthusiastic proponent of this technique, but in the magazine reproductions of his work I confess I cannot see qualities that other fine printers have not been able to achieve without masking techniques.
What are the special benefits of this technique said to be? Does unsharp masking allow one to impart some special quality of clarity or sharpness to a print that cannot be achieved in any other way? If so, why?
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